Days of Heaven (1979, Terrence Malick; Cinematographers: Nestor Almendros, Haskell Wexler)

Captured with a steadicam, allowing the cameraman (here neither Nestor Almendros, who was unable to operate the camera due to union rules, or Haskell Wexler, who came onto the shoot much later) to walk and pivot as freely as the actors, while keeping them both in focus, this scene is one of the most touching examples of on-screen love movies have to offer.  Bill and Abby, Richard Gere and Brooke Adams, chase and splash each other, in one of their last free moments together before Abby is married off and tensions rise.  One with the water, and sopping wet, they end in embrace, alone in their own world.

Days of Heaven (1979, Terrence Malick; Cinematographers: Nestor Almendros, Haskell Wexler)

Captured with a steadicam, allowing the cameraman (here neither Nestor Almendros, who was unable to operate the camera due to union rules, or Haskell Wexler, who came onto the shoot much later) to walk and pivot as freely as the actors, while keeping them both in focus, this scene is one of the most touching examples of on-screen love movies have to offer.  Bill and Abby, Richard Gere and Brooke Adams, chase and splash each other, in one of their last free moments together before Abby is married off and tensions rise.  One with the water, and sopping wet, they end in embrace, alone in their own world.

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